All My Naughty Little Friends

I will probably see a couple more movies before the end of the year, and I’ll update the numbers accordingly, but I think otherwise my answers will pretty much stay the same.

NB I have reviews for most of the movies in my movies tag.

What TV shows did you watch a season of this year?
Creepshow, which wasn’t even good! It just had good guest stars! My trend of one full season of TV a year continues apace.

What TV shows did you DNF this year?
Severance. I got it out of the library, and I still didn’t want to finish it.
Legion. I watched one episode and then got distracted, but I’d like to try again. I do love Dan Stevens.

How many movies did you watch this year? Any trends in genre/viewing format/etc?
I had a Regal subscription for over half the year, so I had a HUGE uptick in new releases watched. Movie stats overall this year (not counting rewatches except where noted):

2025 movies: 30 (plus one that’s technically 2026)
Older movies: 34

Movies seen in the theater (new and old): 33
Movies seen otherwise: 32

I also rewatched two 2025 movies in the theater, three older movies in the theater, and six older movie at home, for a total of 38 total visits to the theater this year. That is definitely the most I have ever been to the theater in a year in my life, and I had a great time. I cancelled my Regal subscription because I thought I was burned out, but it’s been expired for five days and I already miss it, so I will probably resubscribe. I got way more use out of it than I did my Huly subscription last year and probably my Hulu and Netflix subscriptions combined (both of which I have since cancelled).

What were your movie trends for the year?
Most-watched actor: Jeffrey Combs once again, mostly due to rewatches at this point, but Doctor Mordrid, Dark House, and Onyx the Fortuitous and the Talisman of Souls were all new.

Most-watched genre: Horror by a mile, thriller a very distant second.

Most-watched country of origin: USA, but Australia was second with three, so that’s neat.

What are your top movies you watched this year?
In terms of the sheer amount of joy and delight I derived from it, it’s probably Red Sonja. This is by no means the best movie I saw this year, but apparently it was the movie I needed.

Some other fave first-time watches, from this year unless noted:
- Cuckoo (2024). Weird weird xenobio shit, casually queer, Dan Stevens chewing the scenery. What’s not to love.
- Companion. Smart, fun comedy/thriller(?). Just so tightly written, and everyone was great, most of all Sophie Thatcher.
- Clown in a Cornfield. Another movie way smarter than it had to be, and with so much heart.
- Sinners. Gorgeous.
- On Swift Horses. I’m not saying it’s good, I’m just saying Jacord Elordi was very pretty and sad and gay.
- The Long Walk. I didn't love it as much as the book, but it understood the assignment, and I respect that.
- Hell House LLC: Carmichael Manor (2023). For pure horror, this is the scariest movie I saw this year.
- Wake Up Dead Man. Despite the heavy themes, this was ultimately a good entertaining time, just like the previous ones. I want ten more. 🙏
- Silent Night Deadly Night. A late-year surprise. I went in knowing basically nothing, and I had such a good time. I NEED a sequel.
- Red Rooms (2023). French-Canadian movie about women obsessed with serial killers. Stylish, femslashy as hell, an extremely precise and careful movie.

Other movies you saw this year that deserve more love
- Strange Harvest, a microbudget cosmic horror true crime mockumentary. Yes.
- Him, which absolutely did not deserve to get panned so universally. It had style and ambition, which is way more than I can say for lots of movies I saw this year.
- Onyx the Fortuitous and the Talisman of Souls, a cheesy low-budget fantasy/horror movie with a lot more heart than it has any right to given how broad the comedy is.

Biggest disappointments
- Death of a Unicorn. >:( What a soulless, half-assed attempt at a horror comedy.
- The Conjuring 4. Even Patrick Wilson and Vera Farmiga couldn’t save this piece of dreck. Worse than 3, and that’s saying something.

Movies you finally got around to seeing for the first time
- Texas Chainsaw Massacre (1974). Omg Chelsea of Dead Meat wasn’t being ironic; Leatherface IS baby. ;__;
- The Shining (1980). Fuck off, Jack Nicholson.
- Candyman (1992). Maybe trying to do too many things at once, but I was pleasantly surprised by how central the question of race was, and the romance/corruption arc was good stuff.
- Crash (1996). We definitely emphasized a different word in the phrase “erotic thriller” than I expected going in.
- Brokeback Mountain (2005). I respect it for what it was and meant at the time, but I did not love it. Heath Ledger was incredible though.
- The Mist (2007). It was fine.

Movies that you had the most fun talking about, whether they were good or bad
Probably either The Ugly Stepsister or The Long Walk, both because they have clear themes about (gross generalization here) characters doing their best in crapsack dystopias and showing how messy that gets emotionally for the characters. Lots to chew on in both of them, although I would say The Ugly Stepsister goes harder (which is impressive considering the other movie is the one where people get brutally shot in the head on screen every few minutes). The logistics of filming The Long Walk were also super interesting.

Did you rewatch any old faves? If so, which one was you favourite?
I got to see Re-Animator in the theater. <3 On film, with a recorded video message from Jeffrey Combs beforehand which someone played on their phone and held up for the audience to see. <333

What's the oldest movie you watched?
A Bucket of Blood, a 1959 thriller/satire.

What's the newest movie you watched?
LOL technically We Bury the Dead, which doesn’t hit wide release until the beginning of January. I saw it at a mystery movie screening.

Did you watch any movies outside of your usual preferred genre(s)?
Red Sonja is sword and sorcery, which I don't really watch, but partly because it doesn’t really exist as a movie genre these days. That may explain why it only got one day of theatrical release and zero marketing, which is a crying shame.

I watched indie drama Die My Love for Jennifer Lawrence and regretted it. I watched indie feminist/fable 100 Nights of Hero and… didn’t regret it, I guess, but I did think it sucked a lot on multiple axes. Every time I venture out of my horror niche, I end up thinking I should just watch more horror. :\

Any movies you're excited to watch in 2025?
I am aware of and excited about a surprising number of movies coming out next year!
Scream 7
Ready or Not 2
Dune 3
Wuthering Heights
The Bride
Iron Lung

climbing bros, OW, 4k, m/m, omegaverse. On the side of a mountain, Davis's best friend goes into heat. I wrote for the tag "Male Omega in Heat/His Beta Best Friend Desperate to Help," and I needed something more to really get the (creative) juices flowing, so, uh, I decided to put all that mountaineering reading I did this fall to good use. Also, fun fact: the beta/omega BFFs relationship and backstory was lifted directly from a J2 HS AU I wrote over a decade ago. 😅

see to him, Oasis RPF, Liam/Noel, 6200 words. In a BDSM AU, Noel does what needs doing (and has a lot of feelings about it). This is more or less my first posted BDSM AU in ten years and the first EVER in the Oasis tag other than some untagged ficlets in a larger collection from six years ago, which absolutely blows my mind. Liam has the biggest bratty sub energy of all time, how is there not tons of fic about this?!

adastreia originally prompted something like this for the H/C Exchange back in the spring, and I talked them into doing FIAB so I could finally write it for them. I knew exactly how I wanted the RL conflict from the 1996 MTV Unplugged show (in which Liam famously claimed a sore throat, leaving Noel stuck with lead singer duties, and then heckled him from the wings) to intersect with the BDSM stuff, but I struggled quite a bit with exactly how I wanted Noel positioned in this world of normalized kink, how he had thought about it in the past (especially with respect to Liam), and so on. I had to feel my way along, and I don't feel like I ever quite figured it out. IDK, more to unpack there. I also ended up writing no actual sex, and it occurred to me long after works went live that I should probably downgrade the rating from Explicit to Mature, lol.

I definitely feel like there's more juice to this AU. I would love to write a sequel. Also other people should write several hundred k of gcest BDSM AUs for me to read, please and thank you.

Movies: the nocturnal edition, I guess!

Silent Night Deadly Night (2025). A nice young man who sometimes puts on a Santa suit and murders naughty people as directed by the voice in his head meets a nice young woman who sometimes really loses her temper.

This was a delight. I had the BEST time. It's a remake of a 1980s slasher I haven't seen, but the premise of that one sounds like it's played straight as a "guy in a santa suit goes on a psychotic killing spree" kind of thing, and this one is a lot more complicated/enjoyably weird in its execution. The lore of this movie is absolutely bananas, just total nonsense, but is never overexplained, which it seems like is where so many of these kinds of bonkers movies fall down. The script is surprisingly smart overall, I felt, with a lot of care and affection for its characters. It doesn't hurt that I adore Ruby Modine, who previously had smaller parts in Happy Death Day (the roommate) and Satanic Panic (the daughter). And the ending is *chef's kiss*. I would watch the hell out of a sequel that follows what happens next.

On a personal note, as someone who loves Christmastime but has had less opportunity/excuse to indulge in it as I've gotten older, I really enjoyed the over the top Christmas theming of this.

It does have a couple of awkward lines about gender(tm), which maybe are trying to do a thing, but do not succeed in my opinion. There's also an incident with a white supremecist which would have felt more successful if we'd seen, like, a single non-white person by that point in the movie. The movie also does not look great; it's kind of all sludge. Oh well, we can't have everything.

I think this movie is already almost out of theaters. If it sounds fun to you at all, I would absolutely recommend chasing it down for some Christmas-flavored horror cheese.

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100 Nights of Hero (2025). In a misogynistic dystopia, a young married woman (Maika Monroe) whose inattentive husband is away on business must cope with a would-be suitor (Nicholas Galitzine) with the help of her maid and best friend (Emma Corrin).

I checked this out because the descriptions I saw were sending gay signals, and indeed, this is very gay! Monroe and Corrin's respectively repressed and hidden gay longing is great. It also, unlike the movie above, is beautiful and stylish, even though they were clearly working with a fairly small budget. The aesthetics are top-notch. And Galitzine (of Red, White, and Royal Blue, among other things) does a great job playing a hot himbo whose sense of menace is undercut by how dumb he is.

Unfortunately, the actual story a) is not my kind of thing and b) IMO sucks pretty hard on its own merits. If I had realized quite how much of a satirical fable it was, I would not have gone to see it. This takes place in a universe where women are killed for such sins as literacy, extramarital sex, and not getting pregnant within nine months or so of getting married. This last one is the key for our sad wife Cherry, whose husband and the villain of the piece simply declines to have sex with her, even when the local Puritan-flavored but fictionally religious order says she'll be executed if she doesn't hurry up and get pregnant.

I do get that we're trying to critique men's control of women's bodies, but like... this is not a scenario that has widespread analogue in the real world. Men refusing to have sex with women, even when the women's lives are at stake, is not a thing! RL misogyny is bad enough, you don't have to make shit up! The fact that it's suggested (but not confirmed) that the husband is either gay or ace makes it worse, as he's the only possibly queer man in the movie, and it makes it much much much worse that he's also played by the only actor of Middle Eastern descent that I noticed. In fact I think he's also the only character of color still alive at the end of the movie; all the various women of color have died. (Including Charli XCX's character, who along with her two sisters is executed for knowing how to read.)

This movie makes the Barbie movie look subtle. I would say I don't know who it's for, but apparently it's for the other five or so people on bluesky who've seen it, all of whom gave it gushing reviews. IDK man.

[ART] Night of the Red Sands, The Divine Cities Series - Robert Jackson Bennett. A gorgeous, dramatic painting as described in the novel. Can be appreciated canon-blind!

You're Gonna Need A Softer World, Jaws, A Softer World remixes. Every one of these is hilarious and absolutely spot-on.

Do Automatons Dream of Albino Eels?, Sunless Sea/Citizen Sleeper, gen, 6k. A zee-captain finds a mechanical stowaway and must decide what to do with it. I'm not familiar with the Citizen Sleeper, but the crossover character fits really naturally into the Fallen London universe. Great atmosphere all the way through, so many deliciously horrible little bits of worldbuilding flavor, and a satisfying arc of the stowaway automaton and the crew learning to care for one another.

fix it (how can you fix it?), BtVS, Spike/Buffy, 3k. Buffy's soulmark signifies that her soulmate died before she was even born. I really enjoyed the extra details of soulmate worldbuilding this added, and if Spike and Buffy were soulmates, I could definitely see it going exactly like this. <3

The Beat Goes On, At Bertram's Hotel - Agatha Christie, 6.6k, gen. The scandal at Bertram's Hotel is a major news story—apparently too major for Beatrice to be trusted with it according to her editors, even though she's always been the one to cover stories about Lady Sedgewick. A very cool timestamp featuring an OC I loved immediately, a female reporter trying to make it in a man's world, and doing whatever she needs to to get the story, including going back home to visit little old Miss Marple. IMO you don't need to remember the novel to enjoy this (because I did not remember it, lol).

Dust Bunny (2025). A little girl hires a hit man (Mads Mikkelsen) who lives across the hall to kill a monster under her bed. Or, Roald Dahl meets John Wick.

This is listed as a "horror thriller," which I guess is true in the same sense that the Barbie movie is a "political drama." I would be more inclined to call this a dark fantasy/action movie. It's also rated R, and I legitimately do not know why; this is like a mid-tier PG-13. I kept waiting for things to get gory and justify the rating, and they never did, so I recommend managing your expectations on that front.

The aesthetic here goes extremely hard. Their apartment building is an absolutely incredible art nouveau confection. We visit other locales with similarly heightened decor, but honestly nothing is nearly as visually stunning, which I think is fine, because the apartment building is the heart of the movie.

The acting here is all extremely good. In addition to Mikkelsen and the child actress, who is fantastic, we also have Sigourney Weaver, David Dastmalchian, and someone I didn't know named Sheila Atim who is delightful.

This is fun ride and great time. I spent most of the movie having absolutely no idea where it would go next. If any of this piques your interest, I definitely recommend it.

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Wicked: For Good (2025). First, props, the subtitling is clever. Anyway, this is the second half of the story of a good witch and a bad witch fighting/collaborating with the machine while pining for each other and also some guy who's just kind of there.

Honestly, "just kind of there" describes a lot of this movie. It doesn't really expand on any of the political motivation from the first movie, so I had trouble remembering exactly WHY the wizard and his henchwoman have decided to demonize the animals and by extension their defender Elphaba. Fiyero the awkward third wheel, whom I actually found quite charming in the first movie, got almost nothing to do here. No animal character got any kind of significant development; the closest we got was one of the flying monkeys, who didn't even get any lines for plot reasons. There's a subplot involving Elphaba's disabled sister becoming increasingly more unhinged and embittered by her romantic disappointment and probably ableist society at large, but then, you know, she dies from a house falling on her, so that's the end of that. There's a Big Reveal about Elphaba's parentage that literally everyone saw coming, but which Elphaba herself doesn't even get to find out about or react to. There are barely even any big musical set pieces and basically no dance choreography at all. The only song that made a real impression on me was Elphaba's big heel turn song No Good Deed, and I hear from the theater folks that it was kind of weaksauce compared to the live musical version.

All that said, this is the Elphaba and Glinda show, and they're great, honestly. Ariana Grande's comic timing is impeccable. The pining truly is spectacular; there's an amazing scene towards the end that must be seen to be believed. The shippers feasted.